Madder:
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Deep red-brown dye extracted from the root of the Rubia tinctorum or other Rubia plants.
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Mahi:
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Floral Persian design-also called ‘fish in the pond’ motif- composed of a rosette surrounded by a garland encompassed by two incurved, serrated leaves. This pattern is widely used in Ferahan and is a variation of the popular design.
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Malayer:
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A small town situates 80 km. from Hamadan in the direction of Arak.
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Mandorla:
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Semi-circular outline in almond shape used as a decorative motif and derived from Greek or Roman prototypes.
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‘Medallion’ Carpet:
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Many Persian carpets have a design consisting of a large central medallion a quarter of which reappears in each corner or spandrel. This elegant and refined pattern is derived from the 15th century embossed leather book covers. In the 16th century it was adapted for carpets and has been a standard Persian pattern since then.
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Mihrab:
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Characteristic design of a prayer rug derived from the niche or chamber in a mosque that indicates the direction of Mecca. The upper part of the mihrab on a carpet culminates in a point or arch, and the summit of the arch must point towards Mecca while the worshipper pray.
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Mina Khani pattern:
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Floral pattern said to have been named after Mina Khan, although this is certainly apocryphal. Repeat pattern of large palmettes and small white flowers contained in a lattice of stems. Stylized geometrical found in certain tribal carpets, such as those of the Baluchi.
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Mordant:
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Chemical substance with which the wool is treated in order to fix the dye color. Can itself affect the eventual color and can be corrosive.
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Mosque Lamp:
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Mosque Lamp: Realistic or stylized design of a lamp hanging on a chain suspended from the point of the mihrab’s arch. This motif is often found on prayer rugs and is reminiscent of similar lamps hanging in the mosques.
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‘Motachem’ Carpet:
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Previously the name of rugs coming from a famous factory in Kashan that made high-quality carpets. Today the term is applied to kashan rugs of superior quality.
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Niche:
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Applied to carpets, this term denotes the top part of the mihrab where the sides slope up to the summit.
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